The latest episode of our podcast is now available for direct download and streaming from the website or via subscription from iTunes. Feedback is most welcome!
Here are the show notes:
On this episode of The Writer and the Critic, your hosts, Kirstyn McDermott and Ian Mond, decide to eschew their normal thirty-odd minutes of waffle and plunge straight into a discussion of the two titles at hand, Bluegrass Symphony by Lisa L. Hannett and Everyone’s Just So So Special by Robert Shearman. As both books are short story collections and also very new releases, there are no spoilers as such. But here are the time stamps anyway: 03:00 for Bluegrass Symphony (yes, that’s three minutes — they really meant it with the eschewing) and 33:00 for Everyone’s Just So So Special. Final remarks kick in around 01:21:00.
Kirstyn would like to disclaim that she is a judge for both the Australian Shadows and the Aurealis Awards this year, for which Lisa Hannett’s stories are eligible, and therefore needs to stress that her opinions of the collection as expressed on this podcast are solely her own and do not necessarily reflect the views of the judging panels for either award. Ian would like to disclaim that he loves Rob Shearman just so so much, and is therefore incapable of holding any objective opinion of his work. So there’s that.
The Karen Joy Fowler story that is tangentially mentioned can be read online over at Subterranean Press, while Rob Shearman’s insane One Hundred Stories project lives here.
Next month, Ian and Kirstyn invite John Richards from Boxcutters to be their special podcast guest. John has chosen Generation X: Tales for an Accelerated Culture by Douglas Coupland as for everyone to read, while Ian has selected Room by Emma Donoghue and Kirstyn has recommended The Secret History by Donna Tartt. They will most likely be back to their usual spoilerific form, so read ahead and join in the fun!