“Mary, Mary” makes the Year’s Best

The Year's Best Dark Fantasy and Horror 2016Lovely news! My short story “Mary, Mary” is going to be reprinted in The Year’s Best Dark Fantasy and Horror 2016, edited by Paula Guran. It’s looks to be fantastic anthology this year, with a stellar line up that include some of my favourite Australian authors — Angela Slatter, Lisa L. Hannett and Kaaron Warren. I’m already slavering to read this book!

“Mary, Mary” is based on the life of Mary Wollstonecraft who was among the first avowedly feminist authors in England and who would also give birth — in tragic circumstances — to a little girl who would grow up to be Mary Shelley, author of Frankenstein. Both Marys were smart, fiery, passionate and utterly fascinating women but it always saddened me a little that the work of Mary Wollstonecraft has been so overshadowed by her daughter’s legacy. “Mary, Mary” is one of the best stories that I’ve written recently and was first published in Cranky Ladies of History from FableCroft Publishing. My deepest thanks to both Tehani Wessely and Tansy Rayner Roberts, my most UNcranky editors, for giving me the both the inspiration and opportunity to bring it into being. It’s not a story I would have even thought of writing without them.

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Is that a link I see before me?

A thought-provoking post over at Cat Valente’s blog about our fascination with the end of the world and our need to be part of a story:

No one wants to miss out. On the End Times, on the Singlarity. On Peak Oil, which I see certain folk talking about in the same eager terms, looking forward to it in some bizarre subconscious way, disappointed every day civilization does not fall. No one wants to be the generation that just missed being part of the greatest story ever told.

An excellent, insightful piece about the incidental misogyny of cyberspace from a life-long (female) gamer which also touches upon other media/entertainment:

As far as movies go, women spend equally, and women are more likely to spend on books. However, authors and screenwriters know that a woman will see a movie/read a book that appeals to men while the reverse is less likely, so markets skew male and a male-focused product is believed to do better than a female-focused one because of this crossover discrepancy between the sexes.

[The above quote reflects a piece of “conventional wisdom” I hear bandied about a lot these days — and which probably deserves a post all of its own which I may or may not get to one day — and it both saddens and irritates me.  I would like to hope that a lot of men are just as saddened and irritated. After all, isn’t it implying that men are more narrow-minded than women, that they won’t step outside their comfort zone or move beyond what’s familiar to them, that they are incapable of engaging with or being entertained by anything that isn’t all about them? I don’t believe this is true, I really don’t. I would hate to think that I’m wrong. Hmm, yes, possibly a longer post about all this later.]

Paula Guran, the editor of the new The Year’s Best Dark Fantasy and Horror anthology series from Prime Books is calling for submissions from writers and publishers. This is a reprint anthology so she’s only reading material published during the calendar year of 2010. Get to it!

Angela Slatter’s debut short story collection, Sourdough and Other Stories, is now available for pre-order from Tartarus Press. As Rob Shearman says in his Introduction:

Sourdough and Other Stories manages to be grand and ambitious and worldbuilding-but also as intimate and focused as all good short fiction should be . . . The joy of Angela Slatter’s book is that she’s given us a set of fairy tales that are at once both new and fresh, and yet feel as old as storytelling itself.

Go on, you know you want a copy.

And finally, because it is my blog after all, Sue Bursztynski has written a review of Madigan Mine over at January Magazine. But be warned, there are what some people might consider spoilers in this one.