And the Oscar goes to . . .

Shaun Tan! Shaun Tan! Shaun Tan!

It’s not often that a piece of entertainment news genuinely warms the cockles of my heart, but I was overjoyed to hear that Shaun Tan has won the Academy Award for Best Animated Short for his film, The Lost Thing, based on his book of the same name.  I’ve loved Shaun’s work ever since I saw his beautifully detailed and often whimsical illustrations for Eidolon magazine back in the early 1990’s. Three of his books in particular — The Lost Thing, The Red Tree (oh! that final glorious page!) and The Arrival — are beloved favourites of mine, read over and over and chosen as gifts many times.

If you’ve not yet come across the work of Shaun Tan, you really should consider rectifying that situation. I promise, you will not regret it!

Here’s the trailer for The Lost Thing film, just to whet your appetite:

 

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Free Book Friday: The Windup Girl

The Windup Girl

ETA: This book is now claimed. Subscribe to this blog or follow me on Twitter (@fearofemeralds) for next week’s Free Book Friday post alert.

Here we go, kids!

The first Free Book Friday giveaway is The Windup Girl by Paolo Bacigalupi. This is the trade hardcover edition from Night Shade Press (second printing) and it’s in excellent, near new condition with dust jacket included. Only read once, very carefully, by me. 🙂

It weighs in at just under 700 grams — so for Australians, that will mean a 3kg pre-paid satchel is required if you need it mailed. Overseas readers can check shipping costs to your country with Australia Post.

A reminder of The FBF Rules:

1. If you want the book, please post a comment on my official blog. First in, best dressed. I know this blog is linked or crossposted to Facebook and Twitter and GoodReads and Livejournal, but for simplicity’s sake the giveaway will only apply to comments made directly on the www.kirstynmcdermott.com site.

2.  The book itself is free but unfortunately, Australia Post services are not. :-( So, if you’re in Australia, you’ll need to send me a self-addressed prepaid satchel so that I can then send your book to you. If you’re overseas, it will be a bit trickier but I’m sure we can work out a way for you to cover postage. Probably using PayPal. And, of course, if you actually know me and tend to run into me around Melbourne from time to time, I’ll be more than happy to hand your book over in person.

Australian Shadows Awards Finalists Announced

AHWA

Here’s some very shiny news indeed! The finalists for the 2010 Australian Shadows Awards have just been announced and I’ve managed to get myself shortlisted twice!

This annual literary award is presented by the Australian Horror Writers Association and is judged on the overall effect – the skill, delivery, and lasting resonance – of horror fiction written or edited by an Australian.

I’m incredibly pleased to have both a novel (Madigan Mine) and a short story (“She Said” from Scenes from the Second Storey) make the final cut in such a strong field. Seriously, just take a look at the other names included on the list of finalists:

LONG FICTION

  • Madigan Mine by Kirstyn McDermott (Picador Australia)
  • The Girl With No Hands by Angela Slatter (Ticonderoga Publications)
  • Guardian of the Dead by Karen Healy (Allen & Unwin)
  • Under Stones by Bob Franklin (Affirm Press)
  • Bleed by Peter M. Ball (Twelfth Planet Press)

EDITED PUBLICATION

  • Macabre: A Journey through Australia’s Darkest Fears, edited by Angela Challis & Marty Young (Brimstone Press)
  • Scenes From The Second Storey, edited by Amanda Pillar & Pete Kempshall (Morrigan Books)
  • Dark Pages 1, edited by Brenton Tomlinson (Blade Red Press)
  • Scary Kisses, edited by Liz Gryzb (Ticonderoga Publications)
  • Midnight Echo #4, edited by Lee Battersby (AHWA)

SHORT FICTION

  • “Bread and Circuses” by Felicity Dowker (Scary Kisses)
  • “Brisneyland by Night” by Angela Slatter (Sprawl)
  • “She Said” by Kirstyn McDermott (Scenes from the Second Storey)
  • “All The Clowns In Clowntown” by Andrew J. McKiernan (Macabre: A Journey through Australia’s Darkest Fears)
  • “Dream Machine” by David Conyers (Scenes from the Second Storey)

The winners of the Australian Shadows Award will be announced on 15 April 2011.

A hearty congratulations to all the finalists!

Announcing Free Book Fridays!

In an effort to keep my ever-growing book collection under control, I am instituting a regular Free Book Friday on my official blog. At a random time each Friday — for random, read whenever I manage to get my arse into gear — I’ll announce the title of a book and give it away to the first person who sticks up their hand.

There will be various reasons why I’ll be giving these books away. Some might be duplicate copies. Some might be books I’ve read and enjoyed but can’t see myself needing to read again. Some might be books I’ve read and not so much enjoyed but which are nevertheless interesting books that other people might enjoy. And some might simply be books I’ve acquired along the way but which I’ve never actually read and which I can’t see myself getting around to reading any time soon.  So in fairness to the books — because I’m all about being fair to the books — I’m not going to give any specific reasons for sending a particular tome off into the wider world in search of a new and loving home.

Okay. So. There will be two rules:

1. If you want the book, please post a comment on my official blog. First in, best dressed. I know this blog is linked or crossposted to Facebook and Twitter and GoodReads and Livejournal, but for simplicity’s sake the giveaway will only apply to comments made directly on the www.kirstynmcdermott.com site. (Sorry, but spending an afternoon cross-matching timestamps and calculating time zones to work out who got in first is not exactly my idea of fun times for all. :-))

2.  The books themselves are free but unfortunately, Australia Post services are not. 😦 So, if you’re in Australia, you’ll need to send me a self-addressed prepaid satchel so that I can then send your book to you. If you’re overseas, it will be a bit trickier but I’m sure we can work out a way for you to cover postage. Probably using PayPal. And, of course, if you actually know me and tend to run into me around Melbourne from time to time, I’ll be more than happy to hand your book over in person. (I’ll include the weight of each week’s book in the post so you know in advance what the postage will be likely to cost.)

And that’s it. Simple, right? You can subscribe to my blog over in the far left sidebar, or follow me on Twitter (@fearofemeralds) — those are probably the two quickest ways to get almost instant notification of a Free Book Friday post. Now for the hard part . . . which books can I actually bring myself to part with?

New Zealand, New Zealand

For the second time in less than six months, the New Zealand city of Christchurch has been hit by an earthquake of devastating magnitude. Today’s 6.3 tremor was lower in intensity than the 7.1 quake last September, but the shallower depth and closer location of the epicentre to the city has meant the damage this time is much, much worse. Already, there are 65 people confirmed dead with many more still missing or trapped in collapsed buildings. (Google has set up a person finder website here if you have or are seeking information.)

New Zealand earthquake

Collapsed buildings and debris along Manchester Street in Christchurch. Photo by Martin Hunter/Getty Images

In terms of natural disasters, Australians have seen a truly horrendous start to 2011 and now we watch as our friends and neighbours — and often family members — across the Tasman battle through the aftermath of yet another. Our very best thoughts and wishes are most certainly with them.

If you are in a position to help out financially, the New Zealand Red Cross will be posting details of an official earthquake appeal on their website tomorrow and Westpac Bank has already set one up, with all donations to be directed to the Salvation Army.

I’m tempted to remark that 2011 can surely — only — get better from here on in, but the fates are fickle and always have their ears open …

Angry Robot open for submissions in March

Angry Robot

Fledging spec fic writers take note! During the month of March, Angry Robot are opening their doors to submissions from unagented authors for the first time ever. Angry Robot is fast garnering a reputation for publishing exciting and intelligent spec fic of all stripes and most interesting flavours, from authors all over the English speaking world, so it’s well worth checking them out.

You’ll need to send a synopsis along with the first five chapters of your finished manuscipt — they’re not interested in works in progress — so get your white gloves out and start polishing those words. They’re seeking full-length novels for adult readers, either standalone or part of a series, which fall squarely into the spec fic genre:

All our books are “genre” fiction in one way or another — specifically fantasy, science fiction, horror, and that new catch-all urban or modern fantasy. Those are quite wide-ranging in themselves; we’re looking for all types of sub-genre, so for example, hard SF, space opera, cyberpunk, military SF, alternate future history, future crime, time travel, and more. We have no problem if your book mashes together two or more of these genres, but they must have that genre foundation – no thrillers with the merest touch of SF, for example.

For more information, including detailed submission guidelines, please visit the Angry Robot website.

Booksellers Without Borders?

Borders?

The big publishing industry news over the past couple of days entailed US book chain Borders filing for bankruptcy as well as the REDGroup entering its Australian book chains of Borders and Angus & Robertson into voluntary administation (along with the New Zealand newsagent Whitcoulls). Fancy Goods, the Bookseller and Publisher Blog, has provided a comprehensive round-up of recent media coverage of the local angle. The Book Show on ABC Radio National also has a lengthy story for streaming/downloading which discussed both issues and their impact for bookselling here and in the USA.

It remains to be seen what happens to these huge book chains and whether anything can be salvaged from their barely-gasping remains. Already, Australian gift card holders are being told that they are required to spend double the total value of the certificates, in effect matching one dollar for every dollar of credit on the voucher. Either buy up big or run the risk of losing the value of your gift card should the administrators shut down the stores for good. There were quite a few disgruntled customers wandering the aisles of our local Borders this afternoon.

“Well, I suppose I can just buy a whole bunch of Lonely Planets,” one girl grumbled to her boyfriend. “It’s still like getting them for half-price.”

We were there to purchase a novel a friend of ours has just had published and because, as part of the Borders VIP program, we would be getting 30% off the price as long as we purchased at least two books. Borders has been fairly generous with its discounts actually, and I have to admit that I only time I ever really buy from them now is when I have a coupon firmly in hand to offset their inflated RRP.

The novel we wanted was happily on the shelf, albeit priced at $22.99 instead of the $19.95 RRP, and I began browsing for a second book to qualify for the discount. Actually, it was a hard-target search using the Borders instore database. An inquiry for Kraken by China Mieville (his most recent novel) advised me to “check Borders online”. The first and second volumes of The Hunger Games were likewise not in stock, despite the fact that they had an end-aisle display of the third book along with a few HG bookmarks, t-shirts and journals proclaiming the series to be a “Borders Bestseller”. (The computer did indicate the store had three copies of a slipcase set of all three books but floor staff sadly informed me that this was incorrect and they hadn’t had copies for weeks.) Tansy Rayner Roberts new novel? Nope. Rowena Cory Daniells new fantasy series? Nope. How about The Greatest Show on Earth by Richard Dawkins, a recent bestseller? Alas, no luck there either.

Disheartened, I tried to think of another recent-ish title I’d been planning to procure and hit upon The Children’s Book by AS Byatt. Success! There was a trade paperback on the shelf. It was a bit battered, though, with bumped edges and a crease down the middle of the front cover. The price sticker on the back said $38.99. I hummed and hahed, debating whether or not to leave it go in lieu of finding a clean copy elsewhere, then flicked to the front page and was confronted with this:

borders book

Now I know it’s not the greatest photo — snapped surreptitiously on my husband’s mobile — but doesn’t that look like the pencilled marks of a secondhand bookseller? The condition of the book itself was certainly more in keeping with finding it on the shelves of such a vendor — along with the $12 pricetag. Have some Borders stores become so desperate they are sourcing secondhand stock and selling it at “new” prices? I can’t speculate beyond the existence of this one book but it was a very odd, almost unseemly thing to come across. Needless to say, it went back onto the shelf.

As did the original novel we had travelled to Borders to purchase — simply because we were unable to find another book we wanted in order to take advantage of the VIP discount and were not prepared to pay over RRP on the one book we did want. Depleting your stock and raising your prices is not the way to attract and keep happy customers, yet this has been the way Borders has been operating for the past few years. It’s a shame. I truly loved my local store when it opened. They stocked a huge and diverse range of books, including backlist novels and hard-to-find non-fiction titles, and I enjoyed browsing and buying from their shelves.

Today, however, was a perfect example of what has been my typical Borders shopping experience over the past three or four years. (Except for the strange, possibly secondhand book, that is. That was disturbingly new.) If a strongly motivated customer cannot walk into their local bricks-and-mortar bookshop and find a popular, fairly recent title on the shelves — let alone good customer service — then it is little wonder we’re all migrating to online stores.  I could go on a little in this vein, but John Birmingham has written a concise column along similar lines. So go read what he has to say.

Sadly, it comes as little surprise to see News Limited, one of the big players behind the recent attempt to lift parallel import restrictions on books in Australia, weighing in with a snarky I told you so. A pity that the column is, in its own words, “largely bunkum”.

I’m not going to rehash the parallel import debate here, but I would remind Uncle Rupert & Co that Australia is not alone in its territorial protectionism. The two biggest English language markets in the world — North America and the UK — are absolutely closed markets. Now, if there was a proposal to abolish all import restrictions worldwide and Australia was the only hold-out, then we’d have to sit down and talk. But why should we be expected to abandon any protection of our local publishing industry when the two most dominant markets insist on aggressively protecting theirs?

There are a lot of issues with territoriality and copyright, and the situation is becoming increasingly complicated with the advent of e-books and the blurring of retail borders via direct online sales, but to put the collapse of Borders/A&R squarely in the lap of the anti-parallel import lobby is simply ludicrous.  (We can only hope this does not lead to a renewal of calls for Australia to become a literary dumping ground.) There are a lot of factors which contributed to the downfall of these book chains, but it seems that poor management and questionable business/financial models should be seen as ranking pretty damn high on that list. As Glenn Dyer writing in Crikey notes:

… in many respects, REDgroup has been a collapse waiting to happen. That it came a day after the unconnected Borders group in the US failed, was probably co-incidental. The US collapse didn’t cause the local business to fail, but there was a familiar theme: too much debt, a botched Internet and expansion strategy and four CEOs in four years. In other words, poor management, just as there was at REDgroup and Pacific Equity.

Since last July, REDgroup has cut out all the DVD and CD sections in the Borders stores in Australia and written down stock by $30 million, which in turn produced a loss of $43 million for the year to August 2010 as sales fell 10% to around $500 million.

But the key is the reported debt figure of $175 million, which would’ve been costing the group $17 million or more a year. That debt would have been growing as a proportion of sales. But with sales falling, cashflow every month was falling to the point where there was little available to pay that debt because suppliers and staff had to be paid, as did the taxman and landlords like Westfield.

But don’t tell the private equity mobs and their mates in the advice and media sectors that that’s the reality for any business bought by PE. High debt means death if you are in a business that is trying to survive in the current economic conditions.

Possibly, instead of pointing fingers at online sales, a healthy Australian dollar or eBooks — all of which Borders was actually in a position to take advantage of through their own website, cheaper imports of foreign editions of titles not published in Australia, and the Kobo eReader — REDgroup should take a moment to contemplate their own shortcomings.

I sincerely hope that a significant number of the Borders/A&R stores manage to continue trading in some restructured form — although it will be hard to win back the trust of customers and creditors alike — and that the staff all find continued employment somewhere in the retail and/or publishing industry. I’m certainly not joining the parade of Chicken Littles just yet. Because I don’t think the collapse of a badly-managed company — however large — spells the end of publishing and/or bookselling in Australia. Certainly, we live in interesting times. But there are opportunities out there for creatives and the business-minded alike, and I really do think the future is a bright and exciting one.